I'm glad to know Pagehand (now Pagesmith) is being developed again. I got the email from Andy Finnell this morning, and was very glad to see that he's working on Pagesmith again, since it was one of my favourite Mac apps.
I love Pagehand! It's got great attention to typography and layout, and I've been using it pretty often to write different kinds of documents. (There are a few kinks, though, like an 'unexpectedly quit' error that pops up when I use a particular font in the program, but not in other apps.)
I am disappointed, however, that the developer axed the program and won't be updating it further. Well, c'est la vie. It was still worth every penny and it's staying on my computer.
This is an amazing app! I was looking for a high-quality text editor to write notes and quick essays and blog entries on, and this fits the bill. It's easily one of the best-designed and most elegant open-source apps I've ever used.
FontLab, *please* edit your software. Fontographer is not a replacement. You charge nearly $700 for a product that is not a universal binary. The price is bad, but the fact that you cannot be bothered to update your software to run on recent Macs natively shows a gross lack of concern for your customers, especially considering FontLab's widespread use in typeface design. This is industry standard software. This is like Adobe not updating Photoshop for five years, even when many people rely on it.
Even Glyphs, which I consider overpriced as it is, is around $400 less than your offering, and it's Intel-compatible. FontLab is still, even after five years of Intel Macs, not a universal binary, and therefore cannot run on Apple's most recent OS. The website says that there will eventually be an Intel binary, but it hasn't materialised yet, even though it was purportedly to be released in "July 2011." It's September—where is it?
Windows users don't have to deal with this, even though most typographers and font designers work on Macs.
I'm not amused, especially since I preferred FontLab to other font editors.
Using the trial right now—I think that the interface is amazing, in comparison to other font-editing software. (I still think FontLab is the best when it comes to handling merging contours, but Glyphs is by far the most intuitive for most tasks.)
However, as others have mentioned, the price is a sticking point: $300? In 2011? Yes, FontLab and Fontographer are more expensive, but times have changed, and software pricing reflects that. This price would have been considered "cheap" in 1991, but in 2011, it's a bit steep. No, he probably shouldn't charge $2.99, but $100 might be a better price.
Another issue is some of the text in the interface and in the help -- it's obvious that the copy is written by non-native speakers of English, and I think that it would do the devs well to get a good copywriter on board at some point to clean up the UI language for the English localisations.
Will I buy it? Probably not at this price, but I do respect what the developer is trying to do with Glyphs.
I've had a registered copy of Amadeus Pro for about a year, and it's incredibly usable, and it's probably my favourite sound-recording app for simple work—I don't need the bells and whistles that come with other programs, so it's perfect for me. The interface is intuitive, and it's incredibly zippy and stable. I do think, however, that the developer's recent pricing tactic is not the best way he could have gone about it—I paid $40 for this app last year, and I am not inclined to pay yet another $40 to upgrade to 2.0. I agree with the other commenters that he probably should have lowered the price or kept it where it was ($40 was a fair price, in my opinion), in keeping with most developers' stances on pricing these days.
I used Smultron back when it was free, so my reviews are based on that. I was using it for the bulk of my coding projects, and I love its intuitive and well-thought-out interface.
I see the creator of Smultron has decided to sell the product via the Apple Store, which I have mixed feelings about. On the one hand, he's charging for an open-source project that has been free for years (and has previous free versions and a free fork called Fraise); on the other hand, the price itself ($5) is extremely low, and is an extremely good value for what you're getting. I'd say it's a good deal, even if I have mixed feelings about him 'going commercial'.
A great tool! I've had Cinch installed on my MacBook Pro for the past nine months or so, and it's been an invaluable tool in managing my windows. It's one of the features that Microsoft got right in Windows 7, and it's good to see it brought to the Mac via this tool.
A promising program. It does feel like a bait and switch, though, in that the program is purportedly "free," but comes with a number of so-called "commercial add-ons." Kompozer, on the other hand, comes with many of the same features (like a built-in CSS editor) for free. The add-ons aren't terribly expensive in comparison with other web-design software, but if you're looking for truly "free," then Kompozer is the only way to go. It feels a bit like a bait and switch when you click on the CSS editor, only to have the application tell you that you need to buy yet another add-on. Feels a bit more like trialware than freeware, and should probably be labelled as something more like trialware.
Ack. I want to try it, but I don't have $100 to spare for any one application, and I don't see anything about academic discounts, which I think is kind of effed up. I think that a lot of developers charge insanely high prices for their applications, especially in the Mac community. Unless you're buying from a big company like Apple, Microsoft or Adobe, it's pretty much impossible to get one.
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Pagesmith
Yavari reviewed on 27 Mar 2012
Pagehand
Yavari reviewed on 14 Jan 2012
I am disappointed, however, that the developer axed the program and won't be updating it further. Well, c'est la vie. It was still worth every penny and it's staying on my computer.
FountainPen
Yavari reviewed on 07 Dec 2011
+4
FontLab Studio
Even Glyphs, which I consider overpriced as it is, is around $400 less than your offering, and it's Intel-compatible. FontLab is still, even after five years of Intel Macs, not a universal binary, and therefore cannot run on Apple's most recent OS. The website says that there will eventually be an Intel binary, but it hasn't materialised yet, even though it was purportedly to be released in "July 2011." It's September—where is it?
Windows users don't have to deal with this, even though most typographers and font designers work on Macs.
I'm not amused, especially since I preferred FontLab to other font editors.
+7
Glyphs
Yavari reviewed on 09 Sep 2011
However, as others have mentioned, the price is a sticking point: $300? In 2011? Yes, FontLab and Fontographer are more expensive, but times have changed, and software pricing reflects that. This price would have been considered "cheap" in 1991, but in 2011, it's a bit steep. No, he probably shouldn't charge $2.99, but $100 might be a better price.
Another issue is some of the text in the interface and in the help -- it's obvious that the copy is written by non-native speakers of English, and I think that it would do the devs well to get a good copywriter on board at some point to clean up the UI language for the English localisations.
Will I buy it? Probably not at this price, but I do respect what the developer is trying to do with Glyphs.
+6
Amadeus Pro
Yavari reviewed on 09 Sep 2011
-4
Smultron
Yavari reviewed on 28 Jul 2011
I see the creator of Smultron has decided to sell the product via the Apple Store, which I have mixed feelings about. On the one hand, he's charging for an open-source project that has been free for years (and has previous free versions and a free fork called Fraise); on the other hand, the price itself ($5) is extremely low, and is an extremely good value for what you're getting. I'd say it's a good deal, even if I have mixed feelings about him 'going commercial'.
Cinch
Yavari reviewed on 28 Jul 2011
+8
BlueGriffon
Yavari reviewed on 12 Jul 2011
-3
Coda