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| Downloads:16,638 |
| Version Downloads:580 |
| Type:Multimedia & Design : Image Editing |
| License:Free |
| Date:28 Dec 2011 |
| Platform:PPC / Intel |
| Price:Free |
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Dkosiur reviewed on 27 Feb 2010
Because blown highlights can often retain detail in one channel, it'd be useful to be able to see an RGB histogram, rather than just the luminosity-based histogram currently provided by Rawker.
Also, numeric scales on a few sliders, esp. Gamma, would be helpful.
On the whole, Rawker is useful, but not useful enough to replace any of the RAW converters I currently use (ACR, Lightroom, or Capture One).
Anonymous reviewed on 24 Oct 2005
Also, current Rawker versions should run faster than the first releases.
Bye, Rainer.
Anonymous reviewed on 24 Oct 2005
Anonymous reviewed on 18 Oct 2005
-1
Why must we transform a RAW to something like TIFF for manipulate the pic? That's the way the company of the camera code a picture in RAW! So Canon RAW isn't the same as Nikon RAW. Thats the problem for a converter. It must convert the different RAWs into something like a TIFF. More you can read is here: http://ronbigelow.com/articles/raw/raw.htm and here: http://ronbigelow.com/articles/raw2/raw2.htm
+1
You shoot in RAW to capture more details, and hopefully make your image look better when you HAVE to convert it to sRGB for display online.
The poster is quite correct that shooting in high-depth and processing at 16 bit doesn't make much sense if you're going to re-compress the colors back down to 8-bit sRGB and end up with the same image.
Generally though, that's not the case.
There's another, more subtle point. If you put a pro behind a raw converter, the pro may be able to set up the raw converter to extract the optimal range of data to put into the sRGB file. Making it possible for the pro to make better use of sRGB than shooting in JPEG. So there is a purpose to all this.
Everybody using (and understanding) color management should definitely uncheck sRGB conversion and assign a color space with a large gamut (in Photoshop or similar app).
Bye, Rainer.
+162
sRGB is a narrow color space perfect for ensuring the best results when uploading images to the web. I use it as a webdesigner.
AdobeRGB is wider, and supported by most cameras. Though, ProPhoto is a better, wider choice.
Anyway, why shoot in RAW when ending up downgrading the image, somehow, for example converting it to JPEG, sRGB? Simple:
Raw gives the opportunity to tweak and color grade and correct overexposure and underexposure, then creating a TIFF or JPEG. Had you just shot the image as JPEG in the first place, all those color and exposure corrections would look horrible.
sRGB is a wrong choice if you plan to print your image, but it's an ok choice to convert to that profile if you put your images on the web.
That's why there are different profiles: They are meant to fit their individual purposes. You can't just say: "ProPhoto is king - use it always" - that would be missing the point entirely.